1. |
Pre-Bird
02:30
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2. |
In Us Confide
03:09
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3. |
Cither
05:57
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4. |
Unwritten
01:28
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5. |
Frágil
01:44
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6. |
Indictor
03:14
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7. |
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8. |
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9. |
Primordial Forms
07:08
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Endlings Albuquerque, New Mexico
Endlings is John Dieterich (Deerhoof) and Raven Chacon. Together Endlings largely improvised, expressionistic compositions that span from noisy interpolations of percussive driven music to free-form freak outs.
If you like Endlings, you may also like:
To Be Surrounded By Beautiful, Curious, Breathing, Laughing Flesh Is Enough
by Deerhoof
supported by 22 fans who also own “Human Form”
Deerhoof have always played with jazz influence so to see them collaborate with the legendary Wadada Leo Smith was always going to be sick. Maybe one of the best Deerhoof albums??
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The Reinvention of Romance
by Sarah Hennies
supported by 21 fans who also own “Human Form”
My humanities professor showed me this piece and i cannot stop coming back to it. Something deep and alluring of this piece keeps me wanting more. Absolutely one of my favorite cuts from last year.
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a softer focus
by Claire Rousay
supported by 21 fans who also own “Human Form”
Interstitial tunes: soft, shifting–alien and deeply domestic. for more Very Good Haiku Reviews, visit: comeawaywithemd.com/very-good-haiku-a-2021-music-writing-experiment/
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Field Kit
by Field Kit
The Berlin musical collective put a cyber-noir twist on modern classical, pitting warm, delicate strings against harsh industrial tones.
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Billennium Soundscapes
by Hot Tap
From Manchester, Hot Tap serves up an album of stark electronics with moody tones and an air of mystery.
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A Call to Arms
by VISIONIST
Visionist showcases vocals for the first time on his Mute debut, featuring collabs with members of Circuit des Yeux, Black Midi and more.
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White People Killed Them
by WHITE PEOPLE KILLED THEM
supported by 18 fans who also own “Human Form”
The eerie decline during the closing act of this record are unbelievable; one of my favourite conclusions to an album in ages. Turns out the whole thing is immense too - scratching, crumpled, electronically-sabotaged tones bouncing against Trammell's scattershot percussive reflexes.
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